Xerxes transform into a statuesque figure that promises war and domination of the entire world starting with Greece. After Themistocles slew Xerxes’s father with his arrow Artemisia began to craft Xerxes into a leader of her own image, and brutally murders anyone who gets in their way. We learn Artemisia has really been the puppet master all along, and her puppet has been the supposed God-King Xerxes (Rodrigo Santoro). Easily she was the best aspect of the entire film. Simply looking into her hypnotic eyes will cause you to become transfixed on her every movement.
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Her veracious made her gender a nonissue, but she also knew how to use her sex appeal to thwart the desires of her foes. Green is an unassailable presence that reveled in her character’s lust for power. Green plays Artemisia the leading naval officer of the Persian army. Luckily Eva Green’s performance was there to salvage as much of the film as possible. Even the characters that surround him are nothing more than dim imitations-going as far as repeating the exact same plotline of a young son trying to prove his might to his concerned father. He lacks the charismatic drive to push the film forward. Sullivan Stapleton as an actor gives a solid performances, but his temperament does not necessarily match the mood of the film. He has more of a tactical mind than the brash audacity of Leonidas.
He realizes the wrath that will follow will be much worse.Īs a character Themistocles is more even-keeled than you may expect. Although his triumph helped win the war, he has regretted it since he let the arrow fly free. During the incursion a new hero arises as Themistocles (Sullivan Stapleton ) takes down the Persian King with one well-placed arrow. It opens with the Battle of Marathon, which was Persia’s first attempt to invade Greece. Oddly the film is part prequel, part sidequel, and part sequel. Never does it become strong enough to carve its own legacy. Sure the mindless hack and slash action is there, but these characters are less defined and not nearly as interesting. Beyond the derivative visuals is a lack of the testosterone fueled energy that was so predominant last time around. We have seen this all before in more ways than one. It is akin to waiting eight years to make a sequel to The Matrix. Director Noam Murro’s style is reminiscent to the original to a fault. With that issue in mind it is no wonder 300: Rise of an Empire does not work nearly as well as its predecessor.
Their once flashy and new trend oversaturates the market to the point of ad nauseam. The issue becomes what happens when that new ground becomes tired and worn? The inability to answer that quandary is a big reason squeals to visual spectacles rarely succeed. Being able to push the boundaries further is a rare feat that is inspiring to witness. Stars: Sullivan Stapleton, Eva Green, Lena Headey, Hans Matheson, Callan Mulvey, Rodrigo Santoro, David Wenham, Jack O’Connell, Andrew Tiernan, Igal Naor, Andrew Pleavin | Written by Zack Snyder, Kurt Johnstad | Directed by Noam Murroīreaking new ground is certainly something to be admired.
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